The Wheel of Digital Art

The digital medium allows for some very strange, head-warping things to be done.  For instance, one can take one piece of art in it’s final state, completed and ready for viewing, and use it as the raw material for another, completely new and different work of art.  This is more than a mere “reworking”; it’s a complete transformation of one thing into another where only the artist (i.e. machine operator) knows what has happened.

Made in Fyre, the above image is blown up to four times its size and transformed by Showfoto’s block wave filter.  I then cropped out a piece which is shown just below.

As always, sometimes it makes something interesting and sometimes it doesn’t.  I tried it on twenty or so images and came up with the following results:

The above, using the same procedure I just mentioned, yielded the image below:

The same thing again, from the above to produce the one below, which is a cropped out detail of the 4x image.

Above image used to make the one below.

Fyre makes very “clean” images.  Normally, I use fractals or some other image treated with the India Ink filter that adds black engraving lines in an irregular way onto the image.  The results from that are more messy and not so neat as the Fyre image results.  The Fyre images produce almost a sort of black and white pen and ink style image that has a very distinct style.

One you get used to this sort of genetic recombination of image genes, one thing literally leads to another and I’ve even found myself going back into my old images made years ago because I’ve discovered a new filter that “feeds” on exactly that sort of raw material.